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Shannon McNally ...

I first heard of Shannon McNally through John Leventhal, who described her vocal skills as having just the right amount of girlish smoke. At the time I was looking for just the right singer to make a cameo appearance on a song I was recording called “Famous Last Words of a Fool.” Trusting John’s appraisal---from his description I imagined something of a cross between Joan Jett and Lauren Bacall---I set about tracking the mystery singer down. What I eventually discovered in the small town of Holly Springs, Mississippi was this dark-eyed beauty who wrote grown-up songs, played a pretty mean Fender Stratocaster and, at times, sounded a lot Jesse Mae Hemphill. From our first meeting I couldn’t shake the feeling that I was the right man for the job of shepherding the next Shannon McNally record into existence. Now that the record is made, I hope music lovers around the world will come to know what I and many others already know: This girl belongs in the Americana Music spotlight.

Rodney Crowell

 

"She has the voice: bruised, smoky and ornery, right at home where country and soul meet. She has the melodies and the timing - she’s irresistible.” — Jon Pareles, The New York Times

“McNally ….sensual, swaggering, smokey. …..exhibiting an ability to depict pleasure and pain with an explicitness that seems deceptively natural for such a reasonably young songwriter.….a healthy dose of lowdown country and ragged soul..McNally's sound bears a timelessness that's truly uncommon.” — Austin Chronicle

“She is probably rock’s most talented undiscovered gem. This woman with the confident voice, pin-point lyrics and effortless guitar playing….Shannon McNally can rock your socks off at the same time she is hitting you over the head with words that actually make sense.”  — Glide Magazine

"Only Gram Parsons' term "Cosmic American Music" begins to touch her mercurial, changeling roots aesthetic, . . . McNally is a Zen-like, post-Beat song poet” —Thom Jurek, All Music